Velazquez, Diego Las Meninas 1656 When placing yourself by means of with(predicate) the eye of Diego Velazquez, one has many interrogates. These headlands grip from the axiomatic observations to the most lancinating of details. However, I, being an average watchman of machination from a place setting of primarily pop culture, had a troublesome time selecting on the dot what questions to ask this film. The real question that repeatedly surged in my odour was the question of mystification or the assist of explaining outdoor(a) what force otherwise be discernible(112). Was I going to ascertain this art like the everyday sight and be metagrobolized like Berger predicted I would be? Well, yes and no. When I counterbalance looked at the portrait of Las Meninas, the first question that came to my mind was why the characters of the pictorial matter were positioned in the numerous fashions that they were. I promptly thought of the virginal of the Rocks by Leonardo da Vinci. The thought- play was that both(prenominal) paintings consist of a central figure. Although, in both, at that place be other characters benignant in separate activities. Then, I realize that I had already mystified the art by eyeight it through the painting, virtuous of the Rocks, rather than viewing the painting through the eyes of the artist, Diego Velazquez.
My sign experience with this art was identical to the process of mystification. I was explaining away what the artist wanted me to appear. The solitary(prenominal) impregnable way to see the art for what it could possibly bring was through a Berger analysis. Once again, I asked myself why the characters were positioned the way they were. My eyes first focused on the little girl in the nerve centre of the painting. It is original that the girl in the centralize dominates the scene, both by her high-handedness for she has already... If you want to get a full essay, pitch it on our website:
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