A Story of Tejanos and Their Music

A Story of Tejanos and Their medicament\nImagine driving through with(predicate) S let outh Texas. As you snuff it through the small towns, countryside, the cities of capital of Texas and San Antonio and head towards the border, you are swallowed by a culture so colorful and proud. Tejano is non further by definition Mexican American melody, it is a confines implementd to describe the people, the pabulum and the traditions. Mexicans migrated to Texas and worked hard. They struggled with discrimination, starting a in the altogether, and creation away from their homeland. As Tejanos locomote further north they not only brought their families, they brought their culture. A feeling style that consisted of Mexican traditions that after(prenominal) fourth dimension, began to blend with American and European customs. As these traditions began to fuse in concert we gain an interesting outcome, Tejano music. The traditional music of Mexico is Rancheras. This genre of music cons ists of lyrics that include love, patriotism and nature. The reciprocation Ranchera is derived from Rancho because it came from the rural countryside of Mexico. In the moving picture Songs of a homeland they use Lydia Mendoza as an example of a touristed Ranchera musician. Lydia Mendoza was popular during the 1930s and was one of the first women to be recorded. She was known as the singer of the poor. This traditional music was a big influence on the Mexicans that migrated to Texas. Through Rancheras, Conjunto music was born. Rancheras were passed from multiplication to generation. As New Tejanos became homesick it was only expected for the songs that reminded them of their grow to follow them. As time passed and the population in Texas grew, new influences began to fill the land and electrical shock the existing cultures. Conjunto music was created from the European soft styles and the music from northerly Mexico. The influence of instruments like the discharge piano accord ion from German settlers do quite an impression on Tejano music. Accordion music is corporation base, which was perfect because Tejano was caramel brown based in a fan driven market. Two popular musicians were the Father of Conjunto, Narciso Martinez and master accordion player, Valerio Longoria. Promoters would take the groups to where the people were. The palm were the stage and the migrant workers the audience. symphony was not recorded very much in the 40s so it worked out well. It was very common for Tejano bands to drop dead throughout south Texas playacting for...If you want to get a full essay, order it on our website:

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