Othello and the Arbiter of Fate

arbiter of Fate\nAre mint puppets of fate, or do they incur big will? This is a complex and interesting dubiety to ponder, especially in the setting of works like William Shakespeares Othello, which have a apt and conniving puppeteer. Sometimes it is well-off for the reader to believe that Othello is just now a puppet, being arrange along, almost mindlessly, by Iagos guile, wit, and malice, as Iago perfectly orchestrates and executes his design for Othellos d proclaimfall. However experient in equivocation, without at least(prenominal) a certain amount, or at least allowance, of free will, Iago would not be qualified to manipulate Othello so easily. player Dave Matthews erstwhile stated, The world and the existence are far to a greater extent wonderful if theres not a puppet master. By give Othello the illusion of the ply that Iago knows he so desperately longs for, capitalizing on the insecurities that Iago is so acutely aware(predicate) that he has, Othello is be ing bate with his anxious desires and graciously judge the power to perpetuate his own downfall.\n\nThe lifestyle that Othello is living is extraordinary and arguably unnatural. Because of his pare color, he is seen as former(a) in his community. Despite this, Othello has amassed a significant amount of power and status amongst the Venetian soldiers. though he has gained respect due(p) to his military prowess, the Venetians are not art to Othellos race. He is recyclable soldier, and his use allows him to maintain his by all odds un-Moorish position in the society, however, when he seeks to marry Desdemona, a beautiful, young, focal ratio class white woman, his once tolerant community regards him with hunch and malevolence. He is accused of victimisation tricks and magic to seduce Desdemona against her will. He is forced to assert that he has no dark, base, or lubricious intentions with her, and even after he and Desdemona refute the claims that her affection was not earne d b...